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Оутс Джойс Кэрол скачать все книги 20 книг

Это не добрые рождественские сказки, которые так хорошо читать детям на ночь.

Это страшные истории о тьме, которая стоит за порогом и ждет, когда ты сделаешь один неверный шаг, о странных и жутких существах, которые бродят за окном и иногда заглядывают по твою душу.

Нил Гейман и Эл Саррантонио собрали лучшие рассказы в жанре хоррор и саспенс, написанные признанными мастерами американской прозы (Чак Паланик, Майкл Муркок, Уолтер Мосли, Майкл Суэнвик…). Перед вами – коллекция умных, тонких, изысканно интеллектуальных, захватывающих и по-настоящему страшных историй: дверь, через которую Бездна всматривается в человека.

В новом романе современного классика Джойс Кэрол Оутс (неоднократного финалиста Пулицеровской премии, лауреата премии имени О. Генри, Национальной книжной премии США и множества других престижных наград) путешествия во времени, со всеми их трудностями и опасностями, – явление вполне будничное.

Америка недалекого будущего в изображении Оутс сродни Гилеаду из «Рассказа служанки» Маргарет Этвуд. Границы на замке; тотальная слежка; любые попытки инакомыслия караются жестоко и немедленно. Кому, как не юной Адриане Штроль, дочери государственного преступника, это знать? Однако молодость и самоуверенность приводят к трагической ошибке. Слишком смелая речь на выпускном балу карается ссылкой на восемьдесят лет в прошлое, где нет мобильников, компьютеров, семьи, друзей. Где к страху и одиночеству и к робкой первой любви примешивается растущее подозрение: что, если доктор Айра Вулфман – такой же ссыльный из будущего?..

Впервые на русском!

The best-selling author Carl Hiaasen takes the reins for the eleventh edition of this series, featuring twenty of the past year’s most distinguished tales of mystery, crime, and suspense.

Laura Lippman introduces us to a suburban soccer mom who moonlights as a call girl and who has a fateful encounter with a former client at her son’s soccer game. Ridley Pearson traces a famous author of horror tales who becomes trapped in a real one after his wife vanishes while jogging. Joyce Carol Oates travels to a New Jersey racetrack where the animals that break down are of the two-legged type. Lawrence Block tells the story of Keller, a hitman for hire who happens to live in Greenwich Village, loves spicy food, and collects stamps as a hobby. And Scott Wolven plunges us into the world of an ex-con who takes a job at a private and very illegal Nevada racetrack where each day millions are won and lost. Mostly lost.

As Carl Hiaasen notes in his introduction, “The stories in this collection would do honor to any anthology of short literature. More than transcending the genre of crime, they blow away its nebulous boundaries.” The Best American Mystery Stories 2007 is a powerful collection certain to delight mystery aficionados and all lovers of great fiction.

Assembled by best-selling suspense author Nelson DeMille, The Best American Mystery Stories 2004 contains a spectacular array of stories by mystery veterans and talented newcomers. Follow a chain reaction that saves a woman’s life, visit a house haunted by a husband’s violent killing spree, enter the high-stakes world of Las Vegas gambling, watch the line between reality and dream blur, travel with a bored salesman driven to crime, and much more. Encompassing all aspects of the genre, this year’s selections are sure to quicken pulses, send chills down the spine, and keep readers continually guessing.

A cut-and-dried case for a wily crime-scene reconstructionist is turned on its head in Michael Connelly’s “Mulholland Dive.” A terrible secret shared between two childhood friends resurfaces decades later as one of them lies on her deathbed in Alice Munro’s masterful “Child’s Play.” James Lee Burke tells the haunting tale of a Hurricane Katrina evacuee who unexpectedly finds comfort from an unimaginable loss in “Mist.” And in Holly Goddard Jones’s “Proof of God,” a young man’s car is repeatedly vandalized as proof that someone knows about the truths he’d never willingly reveal. As Pelecanos notes in his introduction, the twenty “original and unique voices” in this collection pay homage to the genre’s forebears by taking crime fiction into a thrilling new direction. “But make no mistake,” he says, “we are all standing on the shoulders of writers who came before us and left an indelible mark on literature through craftsmanship, care, and the desire to leave something of worth behind.”

“Some people might tell you that crime short stories, unlike the more precious kind, are a kind of fictional ghetto, full of cardboard characters and clichéd situations. Not true. These stories are remarkably free of bullshit — although there’s always a little, just to grease the wheels,” writes guest editor John Sandford in his introduction. From an isolated Wyoming ranch to the Detroit boxing underworld, and from kidnapping and adultery in the Hollywood Hills to a serial killer loose in a nursing home, The Best American Mystery Stories 2017 hosts an entertaining abundance of crime, psychological suspense, and bad intentions.

Самую, пожалуй, мрачную картину – «Комнату в Нью-Йорке» – выбрал Стивен Кинг, подаривший сборнику зловещий рассказ о семье Эндерби и о их способе выжить во времена Великой депрессии. Самая изысканная – «Одиннадцать утра» – вдохновила «живого классика» американской литературы Джойс Кэрол Оутс на элегантную и безжалостную историю, где практически стирается тонкая грань между любовью, ненавистью и… преступлением. А самая знаменитая – «Полуночники» – «досталась» Майклу Коннелли. И это справедливо: кому, как не любителю джаза, детективу Гарри Босху, и пытаться разгадать тайну этого полотна? Также в работы Эдварда Хоппера вдохнули «литературную жизнь» Джеффри Дивер, Ли Чайлд и Лоренс Блок. Хотя, возможно, читатель увидит в его картинах «свою» историю, которая будет ждать, чтобы ее рассказали…

Stephen King, Lisa Morton, Nell Quinn-Gibney, Norman Prentiss, Joyce Carol Oates, and Tim Curran plunge readers into the dark side in this deeply unsettling short-story collection curated by legendary horror editors Brian James Freeman and Richard Chizmar.

THE OLD DUDE’S TICKER by Stephen King

Richard Drogan has been spooked ever since he came back from Nam, but he’s no head case, dig? He just knows the old dude needs to die.

THE RICH ARE DIFFERENT by Lisa Morton

Even though she made her name revealing the private lives of the rich and famous, Sara Peck has no idea how deep their secrets really go… or the price they’ll pay to get what they desire.

THE MANICURE by Nell Quinn-Gibney

A trip to the nail salon is supposed to be relaxing. But as the demons of the past creep closer with every clip, even the most serene day of pampering can become a nightmare.

THE COMFORTING VOICE by Norman Prentiss

It’s a little strange how baby Lydia can only be soothed by her grandfather’s unnatural voice, ravaged by throat cancer. The weirdest part? What he’s saying is more disturbing than how he says it.

THE SITUATIONS by Joyce Carol Oates

There are certain lessons children must learn, rules they must follow, scars they must bear. No lesson is more important than this: Never question Daddy. Or else.

THE CORPSE KING by Tim Curran

Grave robbers Kierney and Clow keep one step ahead of the law as they ply their ghoulish trade, but there’s no outrunning a far more frightening enemy that hungers for the dead.

This seventh installment of the premier mystery anthology boasts pulse-quickening stories from all reaches of the genre, selected by the world-renowned mystery writer Michael Connelly. His choices include a Prohibition-era tale of a scorned lover’s revenge, a Sherlock Holmes inspired mystery solved by an actor playing the famous detective onstage, stories of a woman’s near-fatal search for self-discovery, a bar owner’s gutsy attempt to outwit the mob, and a showdown between double-crossing detectives, and a tale of murder by psychology. This year’s edition features mystery favorites as well as talented up-and-comers, for a diverse collection sure to thrill all readers.

For many years, some of the most vital, creative, and exciting fiction published in America has been in the field of mystery, crime, and suspense. Now Robert B. Parker and Otto Penzler — both Edgar winners — have assembled the best that 1997 had to offer: twenty terrific, titillating tales from such masters of the genre as Elmore Leonard, Elizabeth George, James Crumley, Jonathan Kellerman, and Andrew Klavan, from newcomers like Brad Watson, and from well-known literary writers such as Joyce Carol Oates and Michael Malone.

Жанр: Проза

The Best American Short Stories

These forty stories represent their eras but also stand the test of time. Here is Ernest Hemingway’s first published story and a classic by William Faulkner, who admitted in his biographical note that he began to write “as an aid to love-making.” Nancy Hale’s story describes far-reaching echoes of the Holocaust; Tillie Olsen’s story expresses the desperation of a single mother; James Baldwin depicts the bonds of brotherhood and music. Here is Raymond Carver’s “minimalism,” a term he disliked, and Grace Paley’s “secular Yiddishkeit.” Here are the varied styles of Donald Barthelme, Charles Baxter, and Jamaica Kincaid. From Junot Díaz to Mary Gaitskill, from ZZ Packer to Sherman Alexie, these writers and stories explore the different things it means to be American.

Moore writes that the process of assembling these stories allowed her to look “thrillingly not just at literary history but at actual history — the cries and chatterings, silences and descriptions of a nation in flux.”  is an invaluable testament, a retrospective of our country’s ever-changing but continually compelling literary artistry.

LORRIE MOORE, after many years as a professor of creative writing at the University of Wisconsin — Madison, is now the Gertrude Conaway Vanderbilt Professor of English at Vanderbilt University. Moore has received honors for her work, among them the  International Fiction Prize and a Lannan Foundation fellowship, as well as the PEN/Malamud Award and the Rea Award for her achievement in the short story. Her most recent novel, was short-listed for the 2010 Orange Prize for Fiction and for the PEN/Faulkner Award, and her most recent story collection, , was short-listed for the Story Prize and the Frank O’Connor Award.

HEIDI PITLOR is a former senior editor at Houghton Mifflin Harcourt and has been the series editor of  since 2007. She is the author of the novels 

In his introduction, guest editor James Patterson observes, “I often hear people lamenting the state of Hollywood... If that’s the case, I’ve got one thing to say: read these short stories. You can thank me later.” Patterson has collected a batch of stories that have the sharp tension, drama, and visceral emotion of an Oscar-worthy Hollywood production. Spanning the extremes of human behavior, features characters that must make desperate choices: an imaginative bank-robbing couple, a vengeful high school shooter, a lovesick heiress who will do anything for her man, and many others in “these imaginative, rich, complex tales” worthy of big-screen treatment.

This sixth anthology in the adult fairy-tale series by acclaimed editors Ellen Datlow and Terri Windling presents another diverse collection of stories and poems loosely based on folklore traditions around the world. Readers familiar with previous books in the series will recognize the names of many regular contributors, including Tanith Lee, Jane Yolen, Esther Friesner, and Joyce Carol Oates, as well as works from Neil Gaiman, Charles de Lint, and others. Tanith Lee's "Rapunzel" opens the collection with a charmingly simple reconstruction of that classic fairy tale. Esther Friesner's "Big Hair" takes the same theme into the present with less cheerful results. Greg Costikyan considers the fate of an ensorcelled sleeping beauty dug up by archaeologists centuries later in "And Still She Sleeps," while Jane Yolen's "Snow in Summer" turns the tables on Snow White's evil stepmother with a deep-dish apple pie and a fry pan. Scott Bradfield's "Goldilocks Tells All" is especially memorable for its Jerry Springer-like portrayal of the ultimate dysfunctional family. Leah Cutter considers the loneliness of living under a curse in her Texas two-step story "The Red Boots." Severna Park's feminist "The Golem" revives a Jewish folktale, while Bryn Kanar's haunting "Dreaming Among Men" draws on Native American legend. Howard Waldrop's "Our Mortal Span" is perhaps the most unique story here, a surprising blend of black comedy, killer-robot story, and fairy tale. While on the whole this collection isn't as strong as previous volumes, it still delivers a fine array of thoughtful writing on some of the best-known-and yet unknown-stories we love. 

— Charlene Brusso.

A dangerously seductive collection of tales that—like the sirens themselves—are impossible to resist

Sensuality mingles with fantasy in this sultry anthology starring fairies, sphinxes, werewolves, and other beings by masterful storytellers including Joyce Carol Oates, Neil Gaiman, Jane Yolen, Ellen Kushner, and more. features a vampire who falls in love with her human prey, an updated Red Riding Hood fantasy, an unsuspecting young man who innocently joins in seductive faerie revelry, and a cat goddess made human. Alluring and charismatic, this collection from master editors Ellen Datlow and Terri Windling will stimulate more than just your imagination.

This ebook features illustrated biographies of Ellen Datlow and Terri Windling, including rare photos from the editors’ personal collections.

Жанр: Проза

Имя современной американской писательницы Джойс Кэрол Оутс хорошо известно миллионам почитателей ее таланта во многих странах мира. Серия «Каприз» пополняется романом писательницы «Делай со мной что захочешь» (1973), в котором прослежена история жизни молодой американки Элины Росс, не побоявшейся полюбить женатого Джека Моррисси и завоевавшей его отзывчивое сердце.

Жанр: Проза

Действие романа происходит в штате Арканзас. Семья Карлтонов в поисках сезонной работы вынуждена проехать большое расстояние по пыльной и жаркой местности. Физические страдания и лишения, которые приходится преодолевать главным героям, невелики, по сравнению с теми духовными переживаниями, которые автор подробно описывает на страницах произведения. Некогда это была счастливая семья, но что-то незримо изменилось в самих людях: безрадостный непосильный труд и повседневные заботы приглушили чувства, отяжелили тело и душу.

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