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The best-selling author Carl Hiaasen takes the reins for the eleventh edition of this series, featuring twenty of the past year’s most distinguished tales of mystery, crime, and suspense.

Laura Lippman introduces us to a suburban soccer mom who moonlights as a call girl and who has a fateful encounter with a former client at her son’s soccer game. Ridley Pearson traces a famous author of horror tales who becomes trapped in a real one after his wife vanishes while jogging. Joyce Carol Oates travels to a New Jersey racetrack where the animals that break down are of the two-legged type. Lawrence Block tells the story of Keller, a hitman for hire who happens to live in Greenwich Village, loves spicy food, and collects stamps as a hobby. And Scott Wolven plunges us into the world of an ex-con who takes a job at a private and very illegal Nevada racetrack where each day millions are won and lost. Mostly lost.

As Carl Hiaasen notes in his introduction, “The stories in this collection would do honor to any anthology of short literature. More than transcending the genre of crime, they blow away its nebulous boundaries.” The Best American Mystery Stories 2007 is a powerful collection certain to delight mystery aficionados and all lovers of great fiction.

Assembled by best-selling suspense author Nelson DeMille, The Best American Mystery Stories 2004 contains a spectacular array of stories by mystery veterans and talented newcomers. Follow a chain reaction that saves a woman’s life, visit a house haunted by a husband’s violent killing spree, enter the high-stakes world of Las Vegas gambling, watch the line between reality and dream blur, travel with a bored salesman driven to crime, and much more. Encompassing all aspects of the genre, this year’s selections are sure to quicken pulses, send chills down the spine, and keep readers continually guessing.

A cut-and-dried case for a wily crime-scene reconstructionist is turned on its head in Michael Connelly’s “Mulholland Dive.” A terrible secret shared between two childhood friends resurfaces decades later as one of them lies on her deathbed in Alice Munro’s masterful “Child’s Play.” James Lee Burke tells the haunting tale of a Hurricane Katrina evacuee who unexpectedly finds comfort from an unimaginable loss in “Mist.” And in Holly Goddard Jones’s “Proof of God,” a young man’s car is repeatedly vandalized as proof that someone knows about the truths he’d never willingly reveal. As Pelecanos notes in his introduction, the twenty “original and unique voices” in this collection pay homage to the genre’s forebears by taking crime fiction into a thrilling new direction. “But make no mistake,” he says, “we are all standing on the shoulders of writers who came before us and left an indelible mark on literature through craftsmanship, care, and the desire to leave something of worth behind.”

This seventh installment of the premier mystery anthology boasts pulse-quickening stories from all reaches of the genre, selected by the world-renowned mystery writer Michael Connelly. His choices include a Prohibition-era tale of a scorned lover’s revenge, a Sherlock Holmes inspired mystery solved by an actor playing the famous detective onstage, stories of a woman’s near-fatal search for self-discovery, a bar owner’s gutsy attempt to outwit the mob, and a showdown between double-crossing detectives, and a tale of murder by psychology. This year’s edition features mystery favorites as well as talented up-and-comers, for a diverse collection sure to thrill all readers.

A non fiction book by Thomas H Cook, Otto Penzler and Jeffrey Toobin

Thieves, liars, and killers – it's a criminal world out there, and someone has to write about it. A thrilling collection of the year's best reportage by the aces of the true-crime genre, The Best American Crime Reporting 2009 brings together the mysteries and missteps of an eclectic and unforgettable set of criminals. Gripping, suspenseful, and brilliant, this latest addition to the highly acclaimed series features guest editor Jeffrey Toobin, New Yorker staff writer, CNN senior legal analyst, and bestselling author of The Nine.

Thieves, liars, killers, and conspirators – it's a criminal world out there, and someone has got to write about it. An eclectic collection of the year's best reportage, The Best American Crime Reporting 2008 brings together the murderers and the masterminds, the mysteries and missteps that make for brilliant stories, told by the aces of the true-crime genre. This latest addition to the highly acclaimed series features guest editor Jonathan Kellerman, bestselling author of more than twenty crime novels, most recently Compulsion and the forthcoming Bones.

Anthology by Thomas H Cook and Otto Penzler

This year's worth of the most powerful, the most startling, the smartest and most astute, in short, the best crime journalism. Scouring hundreds of publications, Otto Penzler and Thomas H. Cook have created a remarkable compilation containing the best examples of the most current and vibrant of our literary traditions: crime reporting.

Included in this volume are Maximillian Potter's "The Body Farm" from GQ, a portrait of Murray Marks, who collects dead bodies and strews them around two acres of the University of Tennessee campus to study their decomposition in order to help solve crime; Jay Kirk's

"My Undertaker, My Pimp," from Harper's, in which Mack Moore and his wife, Angel, switch from run-ning crooked funeral parlors to establishing a brothel; Skip Hollandsworth's "The Day Treva Throneberry Disappeared" from Texas Monthly, about the sudden disappearence of a teenager and the strange place she turned up; Lawrence Wright's "The Counterterrorist" from The New Yorker, the story of John O'Neill, the FBI agent who tracked Osama bin Laden for a decade-until he was killed when the World Trade Center collapsed. Intriguing, entertaining, and compelling reading, Best American Crime Writing has established itself as a much-anticipated annual.

In his introduction, guest editor James Patterson observes, “I often hear people lamenting the state of Hollywood... If that’s the case, I’ve got one thing to say: read these short stories. You can thank me later.” Patterson has collected a batch of stories that have the sharp tension, drama, and visceral emotion of an Oscar-worthy Hollywood production. Spanning the extremes of human behavior, features characters that must make desperate choices: an imaginative bank-robbing couple, a vengeful high school shooter, a lovesick heiress who will do anything for her man, and many others in “these imaginative, rich, complex tales” worthy of big-screen treatment.

From Publishers Weekly

In this affecting, if oddly flat, crime novel from Edgar-winner Cook (The Chatham School Affair), Eric Moore, a prosperous businessman, watches his safe, solid world disintegrate. When eight-year-old Amy Giordano, whom Eric's teenage son, Keith, was babysitting, disappears from her family's house, many believe Keith is an obvious suspect, and not even his parents are completely convinced that he wasn't somehow involved. As time passes without Amy being found, a corrosive suspicion seeps into every aspect of Eric's life. That suspicion is fed by Eric's shaky family history-a father whose failed plans led from moderate wealth to near penury, an alcoholic older brother who's never amounted to much, a younger sister fatally stricken with a brain tumor and a mother driven to suicide. Not even Eric's loving wife, Meredith, is immune from his doubts as he begins to examine and re-examine every aspect of his life. The ongoing police investigation and the anguish of the missing girl's father provide periodic goads as Eric's futile attempts to allay his own misgivings seem only to lead him into more desperate straits. The totally unexpected resolution is both shocking and perfectly apt.

From Booklist

Cook's latest is proof that he is maturing into a gifted storyteller. An eight-year-old girl is missing. The police quickly zero in on her baby-sitter, Keith Moore. Keith's parents proclaim his innocence, but his father, Eric, has his own secret doubts. The way the author tells the story, it really doesn't matter whether Keith is guilty or not; what matters is the way the Moore family slowly disintegrates, as his parents deal in their own ways with the possibility that their son may be a monster. The novel is narrated by Eric; perhaps the story might have been slightly more effective if it were told in the third person, so we could watch Eric fall apart (rather than listen to him tell us about it), but that's nit-picking. In terms of its emotional depth and carefully drawn characters, this is one of Cook's best novels.