Луисели Валерия скачать все книги 3 книг

Highway is a late-in-life world traveler, yarn spinner, collector, and legendary auctioneer. His most precious possessions are the teeth of the "notorious infamous" like Plato, Petrarch, and Virginia Woolf. Written in collaboration with the workers at a Jumex juice factory, is an elegant, witty, exhilarating romp through the industrial suburbs of Mexico City and Luiselli's own literary influences.

Valeria Luiselli New York Times, GrantaMcSweeney's

"Valeria Luiselli is a writer of formidable talent, destined to be an important voice in Latin American letters. Her vision and language are precise, and the power of her intellect is in evidence on every page." — Daniel Alarcón

"I'm completely captivated by the beauty of the paragraphs, the elegance of the prose, the joy in the written word, and the literary sense of this author." — Enrique Vilas-Matas

Valeria Luiselli is an evening cyclist; a literary tourist in Venice, searching for Joseph Brodsky's tomb; an excavator of her own artifacts, unpacking from a move. In essays that are as companionable as they are ambitious, she uses the city to exercise a roving, meandering intelligence, seeking out the questions embedded in our human landscapes.

Valeria LuiselliNew York Times, GrantaMcSweeney's

In the heart of Mexico City, a woman, trapped in a house and a marriage she can neither fully inhabit nor abandon, thinks about her past. She has decided to write a novel about her days at a publishing house in New York; about the strangers who became lovers and the poets and ghosts who once lived in her neighbourhood. In particular, one of the obsessions of her youth — Gilberto Owen — an obscure Mexican poet of the 1920s, a marginal figure of the Harlem Renaissance, a busker on Manhattan's subway platforms, a friend and an enemy of Federico Garca Lorca.

As she writes, Gilberto Owen comes to life on the page; a solitary, faceless man living on the edges of Harlem's writing and drinking circles at the beginning of the Great Depression, haunted by the ghostly image of a woman travelling on the New York subway. Mutually distorting mirrors, their two lives connect across the decades between them; forming a single elegy of love and loss.