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The third installment in the Old Filth trilogy, Last Friends will surprise and delight Gardam fans and appeal to new readers as it concludes a portrait of a marriage equal to any in the English language.

Of Edward Feathers, a.k.a. Old Filth, the New York Times wrote, “he belongs in the Dickensian pantheon of memorable characters.” Filth, which stands for Failed in London Try Hong Kong, is a successful barrister who has spent most of his career practicing law in Southeast Asia. He met his wife, Betty, after she was released from an internment camp at the close of World War II. The first two books in this series — Old Filth and The Man in the Wooden Hat— told the story of their life together first from Edward's perspective, and then from Betty's. Last Friends is Edward's longtime nemesis and Betty's sometime lover, Terry Veneering's turn and with its telling a magnificent and deeply moving story comes to its satisfying final pages.

As the Washington Post commented, these “absolutely wonderful” books give us “an astute, subtle depiction of marriage.” With this third revealing view of Betty and Edward's life together the depiction is completed as readers renew their connection to this remarkable, unforgettable couple.

The New York Times called Sir Edward Feathers one of the most memorable characters in modern literature. A lyrical novel that recalls his fully lived life, has been acclaimed as Jane Gardam's masterpiece, a book where life and art merge. And now that beautiful, haunting novel has been joined by a companion that also bursts with humor and wisdom:

Old FilthThe Man in the Wooden Hat

They met in Hong Kong after the war. Betty had spent the duration in a Japanese internment camp. Filth was already a successful barrister, handsome, fast becoming rich, in need of a wife but unaccustomed to romance. A perfect English couple of the late 1940s.

As a portrait of a marriage, with all the bittersweet secrets and surprising fulfillment of the 50-year union of two remarkable people, the novel is a triumph. is fiction of a very high order from a great novelist working at the pinnacle of her considerable power. It will be read and loved and recommended by all the many thousands of readers who found its predecessor, , so compelling and so thoroughly satisfying.

Sir Edward Feathers has had a brilliant career, from his early days as a lawyer in Southeast Asia, where he earned the nickname Old Filth (FILTH being an acronym for Failed In London Try Hong Kong) to his final working days as a respected judge at the English bar. Yet through it all he has carried with him the wounds of a difficult and emotionally hollow childhood. Now an eighty-year-old widower living in comfortable seclusion in Dorset, Feathers is finally free from the regimen of work and the sentimental scaffolding that has sustained him throughout his life. He slips back into the past with ever mounting frequency and intensity, and on the tide of these vivid, lyrical musings, Feathers approaches a reckoning with his own history. Not all the old filth, it seems, can be cleaned away.

Borrowing from biography and history, Jane Gardam has written a literary masterpiece reminiscent of Rudyard Kipling's that retraces much of the twentieth century's torrid and momentous history. Feathers' childhood in Malaya during the British Empire's heyday, his schooling in pre-war England, his professional success in Southeast Asia and his return to England toward the end of the millennium, are vantage points from which the reader can observe the march forward of an eventful era and the steady progress of that man, Sir Edward Feathers, Old Filth himself, who embodies the century's fate.