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The Best American Short Stories

These forty stories represent their eras but also stand the test of time. Here is Ernest Hemingway’s first published story and a classic by William Faulkner, who admitted in his biographical note that he began to write “as an aid to love-making.” Nancy Hale’s story describes far-reaching echoes of the Holocaust; Tillie Olsen’s story expresses the desperation of a single mother; James Baldwin depicts the bonds of brotherhood and music. Here is Raymond Carver’s “minimalism,” a term he disliked, and Grace Paley’s “secular Yiddishkeit.” Here are the varied styles of Donald Barthelme, Charles Baxter, and Jamaica Kincaid. From Junot Díaz to Mary Gaitskill, from ZZ Packer to Sherman Alexie, these writers and stories explore the different things it means to be American.

Moore writes that the process of assembling these stories allowed her to look “thrillingly not just at literary history but at actual history — the cries and chatterings, silences and descriptions of a nation in flux.”  is an invaluable testament, a retrospective of our country’s ever-changing but continually compelling literary artistry.

LORRIE MOORE, after many years as a professor of creative writing at the University of Wisconsin — Madison, is now the Gertrude Conaway Vanderbilt Professor of English at Vanderbilt University. Moore has received honors for her work, among them the  International Fiction Prize and a Lannan Foundation fellowship, as well as the PEN/Malamud Award and the Rea Award for her achievement in the short story. Her most recent novel, was short-listed for the 2010 Orange Prize for Fiction and for the PEN/Faulkner Award, and her most recent story collection, , was short-listed for the Story Prize and the Frank O’Connor Award.

HEIDI PITLOR is a former senior editor at Houghton Mifflin Harcourt and has been the series editor of  since 2007. She is the author of the novels 

Known for his "cunning, dismaying and beautifully conceived" fiction (New York Times), Akhil Sharma delivers a story of astonishing intensity and emotional precision.

Growing up in Delhi in 1978, eight-year-old Ajay Mishra and his older brother Birju play cricket on the streets, eagerly waiting for the day they can join their father in America. America to the Mishras is, indeed, everything they could have imagined and more until tragedy strikes. Young Ajay prays to a God he envisions as Superman, searching for direction amid the ruins of his family's new life. Heart-wrenching and darkly funny, Family Life is a universal story of a boy torn between duty and his own survival."

“A powerful debut novel that establishes Sharma as a supreme storyteller.”—

Ram Karan, a corrupt official in New Delhi, lives with his widowed daughter and his little granddaughter. Bumbling, sad, ironic, Ram is also a man corroded by a terrible secret. Taking the reader down into a world of feuding families and politics, is a work of rare sensibilities that presents a character as formulated, funny, and morally ambiguous as any of Dostoevsky’s antiheroes.